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At Vancouver's International Burlesque Festival Jane Henderson and Edie Jackson find both progressive politics and old-fashioned desire.
In the wake of the first wave of graphic novels, Jane Henderson looks at some recent, disparate Canadian works.
Mix the Beatles' The White Album with rapper Jay-Z's Black Album and what do you get? DJ Danger Mouse's experimental CD, The Grey Album. You also get a cease-and-desist order from EMI Music. Tracks from the 3000 now-illegal copies of this CD have spawned countless downloads and are just one of hundreds of examples in the current debate over what is art and what is piracy.
In Ali Kazimi's 1997 documentary Shooting Indians, a whole sequence of studying is going on. Kazimi studies Iroquois photographer Jeff Thomas, who is mining the century-old works of white photographer and filmmaker Edward Curtis. The three are transformed.
Webster's Dictionary credits literature as the traditional medium to use "trenchant wit, irony, or sarcasm to expose and discredit vice or folly." Yet in today's multimedia world, satire has entered the mainstream via theatre, television, music, newspaper cartoons, radio, and the internet. Satire is an important tool for those frustrated by the corporate, sponsorship, and political agendas mixed up in their media.
Recently a friend suggested I check out Paul Martin's online opinion survey about the Canadian definition of marriage. Also recently I saw an all-female production of The Dominion is a monthly paper published by an incipient network of independent journalists in Canada. It aims to provide accurate, critical coverage that is accountable to its readers and the subjects it tackles. Taking its name from Canada's official status as both a colony and a colonial force, the Dominion examines politics, culture and daily life with a view to understanding the exercise of power.