Israel

This statement was rejected by both the Toronto Star and the Globe and
Mail (as an op-ed). It is reprinted here in full.

Statement: Jewish Canadians Concerned about Suppression of Criticism of
Israel

We are Jewish Canadians concerned about all expressions of racism,
anti-Semitism, and social injustice. We believe that the Holocaust legacy
"Never again" means never again for all peoples. It is a tragic turn of
history that the State of Israel, with its ideals of democracy and its
dream of being a safe haven for Jewish people, causes immeasurable
suffering and injustice to the Palestinian people.

We are appalled by recent attempts of prominent Jewish organizations and
leading Canadian politicians to silence protest against the State of
Israel. We are alarmed by the escalation of fear tactics. Charges that
those organizing Israel Apartheid Week or supporting an academic boycott
of Israel are anti-Semites promoting hatred bring the anti-Communist
terror of the 1950s vividly to mind. We believe this serves to deflect
attention from Israel's flagrant violations of international humanitarian
law.

by David Parker. October 12, 2008. Interview with Jon Elmer.

In the 2007 publication “Hollow Land“, Eyal Weizman, the Israeli-born, London-based architect, reconceptualized geopolitics in the Occupied Territories. The political space created by Israeli apartheid is a web of total domination and control over Palestinians. The architecture and urban planning inside the territories demonstrate a late-modern colonial occupation. Israel owns the subterranean aquifers beneath Gaza and the West Bank, controls the airspace above, and has weaved a web of Israeli only settlements, highways, and security perimeters throughout the West Bank, while turning Gaza into an open-air prison.

According to Weizman, the natural and built features of the landscape function as weapons and ammunition for the conflict. The Occupied Territories have become a series of layers and territories, each manipulated by the Israeli authorities. Borders are porous for Israelis but solid for Palestinians. Checkpoints are a source of humiliation.

The political power of Israel re-inscribes relationships of force in the organization of the built environment. Contemporary urban warfare in the West Bank and Gaza is a constant destruction and construction of space. At the root of the warfare lies Israeli racism and colonialism.

Lines of occupation in the West Bank and Gaza can change overnight. Borders are flexible for the daily incursions of Israeli forces who inflict torture without sullying their home soil. Palestinian homes are a potential theater of war. Palestinian houses are demolished, their farms destroyed and confiscated.

With this letter I would like to officially withdraw as a member of the jury for the 2008 Prize of the Alex and Ruth Dworkin Foundation for the Promotion of Tolerance through Cinema (2008 Prix annuel de la Fondation Alex et Ruth Dworkin pour la promotion de la tolérance à travers le cinéma) at the Rendez-Vous du Cinéma Québecois.

For those who may not be aware, this prize, which includes a grant of $5000, “goes to a producer representing the production team which has best demonstrated, in the winning work, a message of comprehension and tolerance”.

I accepted the invitation from the Rendez-Vous du Cinéma Québecois to join this year’s jury in good faith. But after examining in more detail the political and financial basis of the prize I must refuse to have my name associated with it. Behind this noble sounding “award for tolerance” hides a story of intolerance, division and discrimination.

Firstly, I quit the jury because the Prix annuel de la Fondation Alex and Ruth Dworkin is an initiative of the Congrès juif canadien, Région du Québec, an organization which I consider to be a vehicle for the Israeli propaganda machine and fundamentally intolerant of dissent and difference, particularly when it comes to Israeli government policies.

One case in point is the refusal of the national leadership of the Congrès juif canadian (CJC) to accept a recent membership application from the Alliance of Concerned Jewish Canadians (ACJC).

ACJC members “joined together to create a cross-Canada alliance of Jewish anti-occupation forces… whose views are not represented by the government of Israel or by the uncritical positions taken by the leadership of the major Jewish organizations in Canada.”

Part of the 5th international week of action against the apartheid wall, initiated by the Palestinian Grassroots Anti-Apartheid Wall Campaign, to oppose Israeli occupation and ethnic cleansing and to support the movement for boycott, divestment and sanctions.

Leading up to ‘Palestinian Perspectives’, an evening of film screenings at the Cinéma du Parc in Montreal on November 29th, to commemorate 60 years of occupation and to celebrate the Palestinian voice. Featuring cutting edge cultural projects from Montreal & internationally, uniting in expression against Israeli Apartheid.

Performances by:

* Lubo Alexandrov: A Bulgarian-born guitarist, composer and singer, Alexandrov has developed a unique musical style, merging Bulgarian, Turkish and Roma musical traditions. Recipient of the 2007 Juno Music Award for the ‘Best World Album’. http://www.luboalexandrov.com

* Valerie Khayat: Poet, singer songwriter, Khayat has been active in folk, poetry and spoken word circles since 2004. She released her first book of poetry, ”The Road to Vesper”, and her first full length album, ”Resonance in Blue”, in 2007. http://www.myspace.com/valeriekhayat

* Kalmunity Vibe Collective members:

Jason Selman: Performance poet & musician
Mohamed Mehdi: Singer songwriter, poet.
Phenix: Hip-hop artist, poet of the Haitian diaspora.

* Ehab Lotayef: Writer, photographer, poet, activist and engineer.

* DJ Kandis: Middle Eastern, international beats, music from DJ Kandis.

Screening two films from the ‘Beyond Blue & Gray’ documentary project of Eyes Infinite Films, with an introduction by series producer Nirah Shirazipour: