The Dominion - Carolyn Lebel

Can You Imagine Life Without It?

dawn — Tue, 31 Mar 2009 06:42:37 +0000

Ian Connacher's "Addicted to Plastic" tracks our most persistent trash

PARIS, FRANCE–There are trips that change your life. For Ian Connacher, it was in 2005. The filmmaker took a month-long expedition with captain Charles Moore out to the middle of the Pacific Ocean to shoot a short film about plastic.

It was here, thousands of kilometres from civilization, that Connacher first witnessed the legacy of our disposable lifestyle.

The North Pacific Gyre, also graphically referred to as the Eastern Garbage Patch, is a magnet for trash from around the world. The most persistent and lethal of this is plastic, in all shapes and sizes—from water bottles and grocery bags to buoys and food wrappers. Much of it originates from land, simply blown by the wind, or carried along by rivers, streams or from overflowing sewage systems. There are countless ways in which the estimated 13,000 pieces of plastic litter per square kilometre of ocean make their way out to sea. Once at large, much of it naturally accumulates on the converging ocean currents of the Gyre.

The Gyre is perhaps the most telling hallmark of our addiction to plastic. But one needn’t travel quite so far to get a sense of it. Plastic is everywhere. It is in our cars, iPods, toothbrushes and pens. Our babies suckle on it, and our food is wrapped in it. But as Connacher discovered at the Gyre, one of the qualities that makes plastic so valuable—its durability—is also what makes it so problematic once it is no longer in use.

Plastic does not biodegrade. In the ocean, however, it often breaks into miniscule bits that marine life often mistake for food. In other words, what starts on the outside of one woman’s salmon filet—in the form of wrapping—could very well end up inside the bowels of another man’s anchovy snack.

The ratio of plastic to plankton is about six to one at the Gyre. It is easy to imagine how such litter is massacring marine animals that ingest the synthetic crumbs or otherwise get entangled in larger objects, such as discarded nets or containers. But there’s more. While plastic repels water, it acts as a sponge for oil and other toxic chemicals. Animals that eat tiny oceanic pellets are in fact ingesting highly concentrated doses of toxic pollutants. Some of these are linked to the kinds of gender-bending hormone disruptions that have found male accessory sex organs in female snails.

The Gyre was a call to action for Connacher. “'Alphabet Soup' (the short) told the story of how plastic gets out to sea and how it affects the food chain. It wasn’t a happy story,” recalls Connacher. “It is impossible to clean the area. So I wanted to find solutions.”

When Discovery Channel turned down Connacher’s idea of adapting the short into a feature film, the filmmaker quit his job, took his life savings and set off on a plastic odyssey that took him to 12 countries around the world. “It was two years of not getting paid and living out of bags. But I knew that the story was compelling and needed to be told.”

The result is an 85-minute, award-winning and habit-kicking documentary. There is one information byte from the film that, like plastic, lingers. Every piece of plastic ever made, except for the small amount that has been incinerated, still exists.

As the film demonstrates, beyond much-needed radical social change, the search for solutions to the mounting heaps of plastic waste leads to two technological fixes. One: take what’s already out there and give it a new life—recycle. Two: search for alternatives to the polymer that are more earth-friendly; substances that can be naturally absorbed back into the ecosystem without putting additional strain on limited natural resources.

"Addicted to Plastic" explores many of the finest examples of recycling in the world, from cozy Patagonia jackets and hand-made Indian handbags to designer wedding dresses and railroad ties. But the limits to these solutions become palpable in India, the country that boasts one of the highest recycling rates in the world, in a scene that the filmmaker describes as one of the most horrific experiences of his life.

“There were rotting cows, hypodermic needles and, I could have sworn, body parts,” Connacher recalls. Entire families of rag-pickers subside on this garbage dump in India. “The soil was bubbling up and part of it was on fire. Pools of insects were hatching and dengue fever was known to be in the dump. And there were children running around collecting crap at the back of garbage trucks, getting paid a dollar a day.”

India also informally imports much of the world’s e-waste, under the guise of charitable donations. Computers, printers, monitors and other ever-rapidly obsolescent electronics come to scrap yard settings for recycling by hand. “You have 10-year-old girls pulling apart circuit boards and handling toxic materials,” says Connacher.

Bio-plastics, made from everything from corn to chicken feathers, make an appearance in the film. While novel forms of seemingly environmentally friendly alternatives are becoming available, habits are harder to break.

It is perhaps for this reason that Connacher is banking on kids. The filmmaker is working to get his documentary into schools and libraries. “The younger generation, they are the ones who are going to have to clean up the mess, alas. Grade six classes have sat through the whole film and asked amazing questions. That inspires me more than anything.”

And if demand cannot be capped, shrinking petroleum reserves may ultimately force civilization to kick its addiction to the material of infinite uses. Connacher recalls one kid asking, “What would the world look like without plastic?”

Carolyn Lebel is a Canadian freelance journalist based in Paris.

For further information, or to buy a copy of "Addicted to Plastic," click here.

North Pacific Gyre

Plastic Film

Two Films Return Power to the Screen

dawn — Wed, 18 Feb 2009 09:29:20 +0000

PARIS, FRANCE–Canada's vast territory is graced with the full range of potential energy sources, from wind, solar and wave power to hydro, fossil fuels and uranium, used for nuclear power. Some see this as an enviable position: many of the world's nations are without the resources to make energy sovereignty possible. However, Canada – like the rest of the world – must come to grips with the dire combination of global warming and dwindling oil reserves.

In the face of this crisis, the nuclear industry has been quick to position itself as the energy source of the future. Its claims are that nuclear power produces virtually no carbon emissions and that incidents like Chernobyl are a thing of the Soviet past. The nuclear industry is enjoying somewhat of a renaissance, with some 35 reactors under construction in 12 countries.

Crude and The Nuclear Comeback are two documentaries from Down Under that explore the nature of oil and nuclear energy, and the role that each play in our society, today and in the future. Both films are essential viewing for anyone uneasy about the fate of our fragile planet.

The Nuclear Comeback, by Justin Pemberton
75 minutes
(Documentary, New Zealand)

If there’s something that big business excels at, it is turning a crisis into an opportunity. In this vein, the nuclear industry has been back in the spotlight recently as a self-proclaimed panacea to global warming and peak oil.

In The Nuclear Comeback, filmmaker Justin Pemberton explores the question of whether nuclear power can indeed chart the path to a low carbon future. His quest is earnest. The filmmaker finds himself in some of the gloomiest places in the world: a ghost town on the edge of the Chernobyl power plant's red zone, in the depths of Sweden’s nuclear waste storage facility some 50 meters below the Baltic Sea, and inside the bowels of an inoperative power station in the UK that will take approximately 120 years to dismantle.

Pemberton also manages to dig up Bruno Comby, a French environmentalist who is pro-nuclear, which is apparently an aberration. France is an exceptional case when it comes to nuclear power: 80 per cent of its electricity comes from this source.

It is one thing to read about the various arguments for and against nuclear power, but it is quite another to be taken on a tour of the facilities that host – in one way or another – some of the most radioactive and lethal substances on the planet. This is the film’s greatest virtue; the buzzing of a massive control panel is as unnerving as the sight of a couple of lone Ukrainian engineers smoking in the radioactive control room of the abandoned Chernobyl plant.

While the ground covered in the 53 minute version of the film is vast, the question of mining for uranium – the mineral that fuels nuclear reactors – is under-explored in the film, as it is in mainstream press.

The nuclear industry’s comeback is perhaps best assessed by an expert from The New Scientist, who is interviewed in the film, as he asks if we are jumping “out of the carbon frying pan and into the plutonium fire.”

Crude - The Incredible Journey of Oil by Dr. Richard Smith
89 minutes
(Documentary, Australia)

It would be a mistake to see Crude expecting classified documents of the wars in the Middle East to be revealed. That said, Crude is a refreshing departure from the geopolitical innuendo that monopolizes much of the talk around one of the world’s most primeval, powerful and coveted substances.

For many of us, a history lesson in oil might seem to begin sometime around the middle of the 19^th century, when the first hand powered rig unleashed the genie in the bottle.

Using striking animations of dinosaurs that could compete with a Spielberg blockbuster, Crude walks us through the greenhouse climatic conditions of the Jurassic era that allowed the formation of oil in the first place. The film makes the case that oil is essentially a concentration of millions of years of ancient sunlight.

Fast forward to modern times. Oil has been unleashed and the dense energy of this liquid sunlight now powers civilization. From the cars we drive to the food we eat, oil is ubiquitous.

Even newborns are drenched in oil from their first moments of life. "Newborn babies slide from their mothers into petro-plastic-gloved hands, are swaddled in petro-polyester blankets, and are hurried off to be warmed by oil-burning heaters," observes author Sonia Shah.

According to the many of the experts interviewed in the film, oil is peaking now. The 95-year-old retired oil pioneer will have seen the rise and fall of an oil civilization in his lifetime. In less than a century and a half, millions of years of evolution have been burned up, ushering in the climatic conditions that enabled its creation.

The film brings out the tragic beauty of this paradox, despite the obvious implications for humanity.

While the documentary remains somewhat conventional in its approach, it is in its content – which is fundamental to our understanding of life as we know it – that this documentary is at once novel and essential.

Carolyn Lebel is a Canadian freelance journalist based in Paris.

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