The Dominion - Apartheid

The Changing Face of Oil Extraction

stephlaw — Wed, 23 Nov 2011 18:39:35 +0000

Shale oil and gas plays in Israel/Palestine, Jordan and Morocco

You may have heard of "Dirty Oil", "Ethical Oil", "Bloody Oil" or even "Conflict Oil"-- but have you heard of "Apartheid Oil"? This is the topic that Edmonton-based writer and activist Macdonald Stainsby has been exploring ever since he visited the Middle East and Northern Africa earlier this year.

In a four-part series to be released over the next month, Stainsby examines key shifts in technology and politics that could change the face of oil extraction in Israel/Palestine, Jordan and Morocco. As an introduction to the series, The Media Co-op had a chance to talk with Stainsby about what he learned on his visit and through the writing process.

Media Co-op: How important are the new shale oil and gas plays in the Middle East?

Macdonald Stainsby: The question is fairly technological, as well as geopolitical. If the Israeli plans go ahead for example, it could mean a dramatic shift towards Israeli power and away from the traditional sources of oil in the region. It would take many years for Israel to be able to produce at a level that could undermine other countries, but the impact of proving the ability would be immediate. In the case of Jordan, the question will be the destruction of local water first and foremost, as well as tightening the previous "peace accords" with Israel without repatriating a single refugee. In North Africa, Morocco has the potential to become one of the most polluted countries in the region where environmental standards are already alarmingly low. In each of these cases, it is hardwiring forms of oil production possibly even more destructive than Canadian based tar sands production.

Media Co-op: What surprised you about your time in the Middle East and North Africa?

MS: In all three cases, the biggest surprise was the level of media awareness [about tar sands and shale oil] in the business pages — which was quite high — and how little concern it seemed to generate among the population that one would hope should oppose such projects. In Israel in particular, the main opponents are pro-Zionist groups that openly collaborate with sectors of the government involved in ethnic cleansing inside the 1948 borders internationally recognized as Israel.

Media Co-op: Are people aware of what is going to happen because of these projects?

MS: Not really, though, community groups near the proposed site in Israel are taking an oppositional, "not in my backyard" approach. Considering the condition of water in Morocco and, even more so, Jordan, education about the potential dangers to the little water available is paramount.

Media Co-op: How could these new oil and gas plays factor into the Boycott, Divestment and Sanctions [BDS] campaign against Israeli Apartheid and other organizing in Canada?

MS: If BDS is to work, it has to be able to make the Israeli state economically scream, to borrow a phrase. The ability to sanction a state with a massive oil and gas sector is slim to nil. BDS is already having strong effects, but pollution aside, the energy security provided to the state by such a play would be monumental and could be the single greatest enabler of Israeli intransigence for years to come, all the more reason — along with those other pesky issues like climate change, peak oil and water in desert regions — such projects must be halted.

Media Co-op: Can you talk about the interconnections between the heavy oil discoveries and the longer term state response to the uprisings in the spring?

MS: It also appears the US is openly planning to use GCC [Gulf Cooperation Council] countries — all of them currently major oil producers — as a local attack dog in the region for US interests. We saw this with Saudi and Qatari troops invading Bahrain, as well as Qatar openly engaging the adventure in Libya. With Morocco and Jordan invited into the GCC, likely also now to be oil producers — this locks them into that alliance, which ultimately also serves American and Israeli interests. This could end up having these tar sands and oil shale projects playing major role in global capitals efforts to steer the Arab Spring in the direction they want, again as we have recently seen in Libya.

Stay tuned: over the next month, the Dominion will publish four articles exploring the theme of Apartheid Oil. This series originally ran on the Media Co-op in November 2011.

Shale Oil Basins in Israel and Jordan

'In words and song, we commit to fighting apartheid'

Tim McSorley — Fri, 26 Feb 2010 17:35:57 +0000

Five hundred Montreal artists announce support for boycott, divestment and sanctions against Israeli state

The following is a call from Montreal artists to support the international campaign for Boycott, Divestment, and Sanctions against Israeli apartheid:

Today, a broad spectrum of Montreal artists are standing in solidarity with the Palestinian struggle for freedom and supporting the growing international campaign for Boycott, Divestment and Sanctions (BDS) against the Israeli state. Last winter, the Israeli state launched a violent military assault on the Palestinian people of the Gaza Strip, leaving over 1,400 Palestinians dead, including over 300 children. Despite the official end of military operations, the blockade continues to this day, with devastating consequences for Gaza’s residents.

Over 60 years from the beginning of the ongoing Palestinian Nakba (catastrophe) in 1948, in which hundreds of thousands of Palestinians were forced from historic Palestine through Israel's creation, Montreal artists are united in solidarity with the Palestinian struggle for freedom and justice.

Montreal artists are now joining this international campaign to concretely protest the Israeli state’s ongoing denial of the inalienable rights of Palestinian refugees to return to their homes and properties, as stipulated in and protected by international law, as well as Israel's ongoing occupation and colonization of the West Bank (including Jerusalem) and Gaza, which also constitutes a violation of international law and multiple United Nations resolutions.

Palestinian citizens face an entrenched system of racial discrimination and segregation, resembling the defeated apartheid system in South Africa. A matrix of Israeli-only roads, electrified fences, and over 500 military checkpoints and roadblocks erase freedom of movement for Palestinians. Israel’s apartheid wall, which was condemned by the International Court of Justice in 2004, cuts through Palestinian lands, further annexing Palestinian territory and surrounding Palestinian communities with electrified barbed wire fences and a concrete barrier soaring eight meters high.

Gaza remains under siege. Israel continues to impose collective punishment on the 1.5 million Palestinians of Gaza, who still face chronic shortages of electricity, fuel, food and basic necessities as the campaign of military violence executed by the apartheid state of Israel endures. UN officials recently observed that the "situation has deteriorated into a full-fledged emergency because of the cut-off of vital supplies for Palestinians." As a result of Israeli actions, Gaza has become a giant prison.

The global movement against Israeli apartheid, supported by a large majority of Palestinian civil society, is not targeted at individual Israelis but at Israeli institutions that are complicit in maintaining the multi-tiered Israeli system of oppression against the Palestinian people.

In fact, the Palestinian civil society BDS call, launched by over 170 Palestinian organisations in 2005, explicitly appeals to conscientious Israelis, urging them to support international efforts to bring about Israel's compliance with international law and fundamental human rights, essential elements for a justice-based peace in the region. The present appeal is also rooted in an active engagement with many progressive Israeli artists and activists who are working on a daily basis for peace and justice while supporting the growing global movement in opposition to Israeli apartheid.

During the first and second intifadas, Israel invaded, ransacked, and even closed down cinemas, theatres and cultural centers in the occupied territories. These deliberate attempts to stifle the Palestinian cultural voice have failed and will continue to fail. Around the world, the call for BDS is growing and is strongly rooted in the historic international solidarity movement against apartheid in South Africa.

In keeping with Nelson Mandela’s declaration that "our freedom [in South Africa] is incomplete without the freedom of the Palestinians," we believe that international solidarity is critical to liberating Palestinians from Israeli colonialism and apartheid. This struggle will continue until all Palestinians are granted their basic human rights, including the right of return for all Palestinian refugees living in the Diaspora.

Today, a diverse array of artists in Montreal, from filmmakers, musicians and dancers to poets, authors and painters, are joining the international movement against Israeli apartheid. On the streets, in concert halls, in words and in song, we commit to fighting against apartheid and call upon all artists and cultural producers across the country and around the world to adopt a similar position in this global struggle.

To add your support to this letter or to present questions or suggestions please write to info@tadamon.ca

1: Aidan Girt, musician, 1-Speed Bike
2: Alexander Moskos, musician, AIDS Wolf
3: Chole Lum, musician, AIDS Wolf
4: Yannick Desranleau, musician, AIDS Wolf
5: Esmeralda Súmar Jara, Amérythmes
6: Karen Lliana Lemus, Amérythmes
7: Ronald Lemus, Amérythmes
8: José Sermeno Rosales, Amérythmes
9: Daviyd Yisrael, Amérythmes
10: Pierre Allard, Action Terroriste Socialement Acceptable, ATSA
11: Annie Roy, Action Terroriste Socialement Acceptable, ATSA
12: Hamid Nach, musician, Bambara Trans
13: Kattam Laraki-Côté, percussionist, Bambara Trans
14: Iqi Balam, singer, Banda de Gaza
15: Owain Lawson, musician, Black Feelings
16: Brian Mitchell, musician, Black Feelings
17: Kyle Fostner, musician, Black Feelings
18: James Di Salvio, Bran Van 3000
19: Bronwen Agnew, Chaotic Insurrection Ensemble
20: Maire White, Chaotic Insurrection Ensemble
21: Skyla Mody, Chaotic Insurrection Ensemble
22: Annabelle Rivard, Chaotic Insurrection Ensemble
23: Veronica Post, Chaotic Insurrection Ensemble
24: Sonja Engmann, Chaotic Insurrection Ensemble
25: Cathy Inouye, Chaotic Insurrection Ensemble
26: Anne Gorry, Chaotic Insurrection Ensemble
27: Andrea Miller-Nesbitt, Chaotic Insurrection Ensemble
28: Joseph Boulos, Chaotic Insurrection Ensemble
29: Matt Corks, Chaotic Insurrection Ensemble
30: Florence Richer, Chaotic Insurrection Ensemble
31: Maggie Schreiner, Chaotic Insurrection Ensemble
32: Jon Boles, musician, Clues
33: Ben Borden, musician, Clues
34: Brendan Reed, musician, Clues
35: Don Wilkie, co-founder, Constellation Records
36: Ian Ilavsky, co-founder, Constellation Records
37: Tyler Megarry, DJ Backdoor
38: Robyn Maynard, DJ Dirtyboots
39: Kevin Moon, DJ Moonstarr
40: Vladimir López, DJ Palosanto
41: Scott Clyke, DJ Scott C
42: Mike Lai, DJ Static
43: Mado Lamotte, Drag Queen Diva
44: Nader Hasan, musician, Echoes Still Singing Limbs
45: Nick Kuepfer, musician, Echoes Still Singing Limbs
46: Aidan Jeffery, musician, Echoes Still Singing Limbs
47: Amine Benbachir, Elby & Woods
48: Jordan McKenzie, musician, Elfin Saddle
49: Emi Honda, musician, Elfin Saddle
50: Deeqa Ibrahim, singer, Empress Deeqa
51: Normand Raymond, musician, Ensemble Acalanto
52: Carmen Pavez, musician, Ensemble Acalanto
53: Rafael Azocar, musician/composer, Ensemble Acalanto
54: Rebecca Foon, musician, Esmerine
55: Jean-Sébastien Truchy, musician, Fly Pan Am
56: Lisa Gamble, Gambletron
57: Emilie Mouchous, electronic musician, Gamackrr
58: Sub Roy, musician, Grand Trine
59: Zayid Al-Baghdadi, musician, Hazaj Ensemble
60: Fadi Halawi, musician, Hazaj Ensemble
61: Michael Farsky, musician, Homosexual Cops
62: Joel Janis, singer, Jahnice +
63: Radwan Ghazi Moumneh, artist, Jerusalem in My Heart
64: Lubo Alexandrov, musician, Kaba Horo
65: Erik Hove, saxophonist, Kaba Horo
66: Zibz Black Current, poet, Kalmunity Vibe Collective
67: Matin Heslop, contrabass, Kalmunity Vibe Collective
68: Ron G. vocalist, Kalmunity Vibe Collective
69: Katalyst, poet, Kalmunity Vibe Collective
70: Adam Kinner, saxophonist, Kalmunity Vibe Collective
71: Mohamed Mehdi, guitar/voice, Kalmunity Vibe Collective
72: Jordan Peters, guitar, Kalmunity Vibe Collective
73: Fabrice Koffy, poet, Kalmunity Vibe Collective
74: Gordon Allen, musician, L’Envers
75: Simon Leduc, musician, Le Descente du Coude
76: Fanny Bloom, La Patère Rose
77: Kilojoules, La Patère Rose
78: Roboto, La Patère Rose
79: Simon D., Léopard et Moi
80: Lynne T., Lesbians on Ecstasy
81: Bernie Bankrupt, Lesbians on Ecstasy
82: Mathieu Farhoud-Dionne, rapper, Chafiik, Loco Locass
83: Geneviève Beaulieu, musician, Menace Ruine
84: Steve Lamothe, musician, Menace Ruine
85: Fred Savard, musician, Metis Yeti
86: Matthew Jacob Lederman, musician, Moondata LABprojects
87: Nantali Indongo, Nomadic Massive
88: Modibo Keita, Nomadic Massive
89: Diegal Leger, Nomadic Massive
90: Nicolás Palacios-Hardy, Nomadic Massive
91: Lou Piensa, Nomadic Massive
92: Ralph Joseph, Nomadic Massive
93: Meryem Saci, Nomadic Massive
94: Vox Sambou, Nomadic Massive
95: Jason Selman, Nomadic Massive / Kalmunity Vibe Collective
96: Sébastien Fournier, musician, Panopticon Eyelids
97: Félix Morel, musician, Panopticon Eyelids
98: Nicolas Basque, guitar/voice, Plants and Animals
99: Matthew Woodley, percussionist, Plants and Animals
100: David Bryant, musician, Set Fire to Flames
101: Thierry Amar, musician, Silver Mt. Zion
102: Sophie Trudeau, musician, Silver Mt. Zion
103: Mohamed Masmoudi, musician, Sokoun Trio
104: Greg Napier, musician, Special Noise
105: Jeff Simmons, musician, Special Noise
106: Edward Lee, artist, St. Emilie SkillShare
107: Reyrey Castonguay, artist, St. Emilie SkillShare
108: Machaulay Culkin, artist, St. Emilie SkillShare
109: Amanda Oliver, artist, St. Emilie SkillShare
110: Rochelle Ross, artist, St. Emilie SkillShare
111: Tasha Zamudio, artist, St. Emilie SkillShare
112: Kerri Flannigan, artist, St. Emilie SkillShare
113: Jessie Stein, singer/guitar, The Luyas
114: Yassin Alsalman, musician, the Narcicyst
115: Gern F., singer/guitar, The United Steel Workers of Montreal
116: Martin Cesar, musician, Think About Life
117: Greg Napier, musician, Think About Life
118: Caila Thompson-Hannant, musician, Think About Life
119: Graham Van Pelt, musician, Think About Life
120: Andrea deBruijn, poet, Throw Poetry Collective
121: Alessandra Naccarato, poet, Throw Poetry Collective
122: Merrill Garbus, musician, Tune-Yards
123: Sundus Abdul Hadi, visual artist
124: Jean-Marc Abela, filmmaker
125: Faiz Abhuani, Artivistic collective
126: Paul Ahmarani, actor
127: Mitchell Akiyama, electronic musician, intr. version recordings
128: Patrick Alonso, photographer
129: Hala Alsalman, filmmaker
130: Tito Alvarado, poet, Proyecto Cultural Sur
131: David Arancibia, pianist
132: Sabrien Amrov, photographer
133: Fortner Anderson, poet
134: Tasha Anestopoulos, DJ
135: Daniel Anez, pianist
136: David Arancibia, pianist
137: Amelie Ares, artist
138: Shahrzad Arshadi, artist/photographer
139: Nedaa Asbah, musician
140: Natali Asbah, violinist
141: Maroupi Asbah, violinist
142: Jon Asencio, musician/performance artist
143: Martine Audet, poet
144: Mila Aung-Thwin, Eye Steel Film
145: François Avard, author
146: Shira Avni, filmmaker
147: Magali Babin, electronic music composer
148: Gina Badger, visual artist
149: Rebecca Bain, musician
150: Anaïs Barbeau-Lavalette, filmmaker
151: Kate Bass, visual artist
152: Philippe Battikha, musician
153: Mireya Bayancela, comedian
154: Jonathan Belisle, Transmedia StoryTeller
155: Nabila Ben Youssef, comedian
156: Kamal Benkirane, writer/editor
157: Serge Bérard, writer
158: Patricia Bergeron, film producer
159: David Bernans, author
160: Isabelle Bernier, artist
161: Josué Bertolino, documentary filmmaker
162: Santiago Bertolino, documentary filmmaker
163: Mark Berube, singer, The Patriotic Few
164: Kawtare Bihya, artist
165: Eli Bissonnette, founder Dare to Care Records
166: Pierre-Guy Blanchard, percussionist
167: Julien Boisvert, filmmaker
168: Michel Bonneau, musician
169: Rana Bose, writer
170: Marie Boti, director, Productions Multi-Monde
171: Magda Boukanan, pianist
172: Bachir Boumediene, Eye Steel Film
173: Arnaud Bouquet, documentary filmmaker
174: Marie Brassard, actress/theatre performer
175: Derek Broad, designer
176: Richard Brouillette, filmmaker
177: Marion Brunelle, jazz singer
178: Alexia Bürger, comedian
179: Chris Burns, musician
180: Louise Burns, artist
181: Peter Burton, musician, executive director of Suoni per il Popolo festival
182: Antoine Bustros, pianist/composer
183: César Càceres, visual artist
184: Philippe Cadieux, visual artist
185: Michel Campeau, photographer
186: Olivier Campo, Bar Populaire
187: Daniel Canty, writer/filmmaker
188: Paul Cargnello, singer/songwriter
189: Boban Chaldovich, filmmaker
190: Vincent Champagne, filmmaker
191: Mazen Chamseddine, graphic artist/architect
192: Yung Chang, filmmaker, Up the Yangtze
193: Sarah Charland-Faucher, filmmaker
194: Elsa Charpentier, artist
195: Julie Châteauvert, Dare-Dare art gallery
196: Ghada Chehade, poet
197: Geneviève Chicoine, artist
198: Shayla Chilliak, musician
199: Jordan Christoff, musician
200: Stefan Christoff, pianist/photographer
201: Jacob Cino, music producer/DJ
202: Moe Clark, poet
203: Andrea-Jane Cornell, sound artist
204: Michel F Côté, musician
205: Marie-Hélène Cousineau, filmmaker
206: Mateo Creux, pianist
207: Jean Michel Cropsal, painter
208: Daniel Cross, filmmaker, founder of Eye Steel Film
209: Vincenzo D’Alto, photographer
210: Amy Darwish, artist/dancer
211: Noémie da Silva, photographer
212: Marie Davidson, singer, Les momies de Palerme
213: Mary Ellen Davis, documentary filmmaker
214: Luke Dawson, artist
215: Susanne de Lotbinière-Harwood, literary translator
216: Étienne de Massy, artist
217: Sylvie de Morais, comedian
218: Lhasa de Sela, singer
219: Julie Delorme, DJ/CKUT host
220: Sophie Deraspe, filmmaker, Les Signes Vitaux
221: Jean Derome, jazz musician
222: Nathalie Derome, interdisciplinary artist
223: Marcelle Deschênes, composer/multimedia artist
224: Robert Deschênes, artist
225: Richard Desjardins, artist
226: Denys Desjardins, filmmaker
227: Keiko Devaux, pianist, the Acorn/People for Audio
228: Omar Dewachi, musician
229: Benoît Dhennin, photographer
230: Nathalie Dion, artist, Zazalie Z
231: Xarah Dion, musician, Ample collective
232: Dominique Lebeau, Domlebo, musician
233: Kim Doré, poet/editor
234: Julie Doucet, comic artist
235: Robyn Dru Germanese, artist
236: Frédéric Dubois, cultural worker
237: Bruno Dubuc, filmmaker
238: Martin Duckworth, documentary filmmaker
239: Philippe Ducros, theatre director, Hotel Motel
240: Katie Earle, artist
241: Marlene Edoyan, filmmaker, Multi-Monde Productions
242: Will Eizlini, musician
243: Hassan El Hadi, musician/singer
244: Majdi El Omari, filmmaker
245: Darren Ell, photographer
246: Nirah Elyza Shirazipour, filmmaker, Eyes Infinite Films
247: Yves Engler, author
248: Bérenger Enselme, Bar Populaire
249: Claudia Espinosa, photographer
250: Tony Ezzy, musician
251: Julie Faubert, visual artist
252: David Fennario, playwright
253: Javier Fernàndez-Rial, pianist
254: Carlos Ferrand, filmmaker
255: Ian Ferrier, poet
256: Riley Fleck, percussionist
257: Arwen Fleming, musician
258: Lindsay Foran, visual artist
259: Andrew Forster, artist
260: Tammy Forsythe, choreographer
261: James Franze, musician
262: Kandis Friesen, visual artist
263: Fanny-Pierre Galarneau, graffiti artist, Aïshaaglyphics
264: Carmen Garcia, film producer
265: Francisco Garcia, artist
266: Brett Gaylor, filmmaker, RIP! A Remix Manifesto
267: Chloé Germain-Thérien, filmmaker/illustrator
268: Christine Ghawi, musician/actress/winner of Gemini Award
269: Olivier Gianolla, painter
270: Peter Gibson, visual artist, Roadsworth
271: Serge Giguère, filmmaker
272: Yan Giguère, artist
273: Dan Gillean, visual artist, Fiver
274: Jason Gillingham, artist
275: Miriam Ginestier, DJ/artistic director of Studio 303
276: Michel Giroux, filmmaker
277: Ernest Godin, producer/filmmaker, Kondololé films
278: Anne Golden, video artist
279: Malcolm Goldstein, violinist/composer
280: Amber Goodwyn, singer, Nightwood
281: Ashley Gould, DJ
282: Janna Graham, sound artist
283: Étienne Grenier, sound artist
284: Neil Griffith, musician
285: Steve Guimond, artistic director of festival Suoni per il Popolo
286: Alexandra Guité, filmmaker
287: Freda Guttman, artist
288: Malcolm Guy, documentary filmmaker, Productions Multi-Monde
289: Tamara Abdul Hadi, photographer
290: Rawi Hage, author
291: Linda Dawn Hammond, photographer
292: Katy Hanna, artist
293: Shannon Harris, documentary filmmaker
294: Tim Hecker, electronic musician
295: Dorothy Henault, documentary filmmaker
296: Anne Henderson, documentary filmmaker
297: Hanako Hoshimi-Caines, contemporary dancer
298: Magnus Isacsson, documentary filmmaker
299: Yuki Isami, musician
300: Naledi Jackson, visual artist
301: Yohan Jager, pianist
302: Stéphane Jaques, theatre director
303: Jocelyn Jean, artist
304: Rodrigue Jean, artist
305: Sandra Jeppesen, poet/professor
306: David Jhave Johnston, poet
307: Sophie Jodoin, visual artist
308: Norsola Johnson, musician
309: Nicole Jolicoeur, artist
310: Sawssan Kaddoura, visual artist
311: Stephan Kazemi, designer
312: Kaie Kellough, poet
313: Arshad Khan, documentary filmmaker
314: Nika Khanjani, filmmaker
315: Maya Khankhoje, writer
316: Valerie Khayat, poet/singer
317: Catherine Kidd, poet
318: Sergeo Kirby, cinema producer, Loaded Pictures
319: Courtney Kirkby, sound artist
320: Aysegul Koc, filmmaker
321: Nick Kuepfer, musician
322: Devlin Kuyek, author
323: Sylvain L’Espérance, cinéaste
324: Danièle Lacourse, cinéaste
325: Stéphane Lahoud, cinéaste
326: Jean-Sébastien Lalumière, cinéaste
327: Ève Lamont, documentary filmmaker
328: Noam Lapid, visual artist
329: Chantale Laplante, composer
330: Rodolphe-Yves Lapointe, artist
331: Monique Laramée, multidisciplinary artist
332: Graham Latham, musician
333: Hugo Latulippe, cinéaste
334: Brian Allen Lipson, musician
335: Klervi Thienpont Lavallée, actress
336: Franck Le Flaguais, artist
337: Sophie Le-Phat Ho, Artivistic collective
338: François Leandre, visual artist
339: Michel Lefebvre, artist/multimedia editor
340: Vincent Lemieux, artist/DJ
341: Jean-François Lessard, writer/composer
342: Anna Leventhal, writer
343: JJ Levine, photographer
344: Mika Lillit Lior, choreographer/dancer
345: Sarah Linhares, singer
346: Paul Litherland, artist
347: Amy Lockhart, filmmaker/artist
348: Guillermo Lopez, cinema editor
349: Jacinthe Loranger, visual artist
350: Ehab Lotayef, poet
351: Lousnak, singer/multidisciplinary artist
352: Caytee Lush, poet
353: Kit Malo, artist
354: Khalid M’Seffar, radio host/DJ
355: Jessica MacCormack, multidisciplinary artist
356: Emmanuel Madan, sound artist
357: Rob Maguire, editor ArtThreat.net
358: Claude Maheu, musician
359: Hernán Maria, musician
360: Omar Majeed, filmmaker, Taqwacore – the Birth of Punk Islam
361: Iphigénie Marcoux-Fortier, filmmaker, Multi-Monde productions
362: Natalie Marshik, artist
363: Billy Mavreas, visual artist
364: Valerian Mazataud, photographer
365: Kirsten McCrea, artist, Papirmasse
366: Taliesin McEnaney, theatre artist
367: Catherine McInnis, artist
368: Meek, electronic musician
369: Feroz Mehdi, filmmaker/activist
370: Elany Mejia, musician
371: Amy Miller, documentary filmmaker
372: Jeff Miller, writer
373: Claude Mongrain, sculptor
374: Émilie Monnet, singer, Odaya
375: Evan Montpellier, musician
376: Vincent Moon, filmmaker
377: Allison Moore, artist
378: Katie Moore, singer/songwriter
379: Jean-Guy Moreau, artist/comedian
380: Dominic Morissette, filmmaker/photographer
381: Nadia Moss, visual artist/musician
382: Krista Muir, musician, Lederhosen Lucil
383: Mehdi Nabti, musician
384: Tyler Nadeau, photographer
385: Dimitri Nasrallah, author
386: Rawane Nassif, filmmaker
387: Pamela Navarrete, artist
388: Norman Nawrocki, musician/author
389: Joshua Noiseux, photographer
390: Kelly Nunes, DJ
391: Alexis O’Hara, multidisciplinary artist
392: Sean O’Hara, founder Alien 8 Recordings
393: Sarah Pagé, musician
394: Cléo Palacio-Quintin, musician/composer
395: Catherine Pappas, documentary filmmaker
396: Marie-Hélène Parant, artist
397: Richard Reed Parry, musician, Bell Orchestre
398: Alain Pelletier, multidisciplinary artist
399: Yann Perreau, singer/songwriter
400: Sara Peters, poet
401: Pierre Petiote, artist
402: Mauro Pezzente, musician, founder Casa del Popolo
403: Alisha Piercy, artist/writer
404: Pierre-Emmanuel Poizat, musician
405: Carole Poliquin, filmmaker
406: Janet Ponce, singer/author/composer
407: Jeannette Pope, filmmaker
408: Rozenn Potin, filmmaker
409: Levana Prud’homme, dancer
410: Jean-François Poupart, writer/professor
411: Thea Pratt, artist
412: Alain G. Pratte, photographer
413: Kern Prophete, hip-hop artist
414: Jesse Purcell, artist, Just Seeds
415: Nelly-Eve Rajotte, artist
416: Anne Ramsden, artist
417: Nada Raphael, documentary photographer
418: Louis Rastelli, author
419: Antonella Ravello, photographer
420: Coire Ready Langham, circus artist
421: Fred Reed, writer
422: Victor Regalado, artist
423: Monique Régimbald-Zieber, artist
424: Alain Reno, illustrator
425: Gisela Restrepo, artist
426: Gerard Reyes, dancer
427: Andrea Rideout, theatre artist
428: Coco Riot, artist
429: Matana Roberts, saxophonist
430: Antoine Rouleau, photographer
431: Guilaine Royer, cultural worker
432: Daïchi Saïto, filmmaker
433: Trish Salah, poet
434: Babak Salari, photographer
435: Samian, hip-hop artist
436: Miriam Sampaio, multidisciplinary artist
437: Marjolaine Samson, artist
438: Julian Samuel, artist/writer
439: Ariel Santana, artist
440: Claire Savoie, artist
441: Dorothy Saykaly, contemporary dancer
442: Patti Schmidt, radio host/cultural commentator
443: Anita Schoepp, artist/musician
444: Nadia Seboussi, artist
445: Fran Sendbuehler, graphic artist
446: Marcel Sévigny, author
447: Sam Shalabi, musician/composer
448: Nik Barry-Shaw, writer
449: Eric Shragge, author/professor
450: Bridget Simpson, musician
451: Michelle Smith, documentary filmmaker, Productions Multi-Monde
452: Prem Sooriyakumar, filmmaker
453: Jennifer Spiegel, writer
454: Laurel Sprengelmeyer, artist, Little Scream
455: Darlene St. Georges, art educator
456: Alexandre St-Onge, sound artist/musician
457: Allison Staton, photographer
458: Victoria Stanton, performance artist
459: Gab Perry Stensson, artist
460: Martha Stiegman, documentary filmmaker/author
461: Kiva Stimac, visual artist, founder Casa del Popolo
462: Brett Story, filmmaker
463: John W. Stuart, graphic designer/writer
464: Caroline Tagny, graphic artist
465: Roger Tellier-Craig, musician
466: Vincent Tinguely, poet/writer
467: Juan Toro, musician
468: Tanya Tree, documentary filmmaker
469: Benoît Tremblay, artist
470: Philippe Tremblay-Berberi, filmmaker
471: Gisèle Trudel, artist, Ælab
472: Svetla Turnin, executive director of Cinema Politica
473: André Turpin, cinéaste
474: Armand Vaillancourt, painter/sculptor
475: Rufo Valencia, writer/poet
476: Sylvie Van Brabant, filmmaker
477: Niek van de Steeg, artist
478: Francis Van Den Heuvel, filmmaker
479: Rahul Varma, theatre director, Teesri Duniya Theatre
480: Chris Vaughn, violinist, Free Benny Meanz
481: Adrian Vedady, jazz musician
482: Felipe Verdugo, pianist
483: Sebastián Verdugo, pianist
484: Stefan Verna, documentary filmmaker
485: Gilles Vigneault, artist
486: Sam Vipond, musician
487: Tamara Vukov, filmmaker/academic
488: Shannon Walsh, documentary filmmaker
489: Francesca Waltzing, artist
490: Erin Weisgerber, sound artist
491: David Widgington, journalist/filmmaker
492: Ezra Winton, founder Cinema Politica
493: Britt Wray, artist
494: Gary Worsley, founder Alien 8 Recordings
495: Dexter X, filmmaker/musician
496: Eileen Young, visual artist
497: Karen Young, singer/songwriter
498: Kevin Yuen Kit Lo, graphic designer
499: Michael Zaidan, filmmaker
500: Kim Zombik, singer

More information: http://tadamon.ca.

Lhasa de Sela

Floating above the wall

Through Canada’s Rez Zone Looking Glass

Moira Peters — Sun, 12 Apr 2009 06:37:03 +0000

Israeli Apartheid Week

KUTENAI TERRITORY, TURTLE ISLAND–Divining the past can be difficult, especially when your crystal ball is a bit smudged; it’s not all shooting fish in a barrel. In this fifth consecutive year of an international effort to call attention to the nature of the relationship between the Israeli state and Arab Palestinians living within and without that or any state, a question has been stirring at the margins of permissible thought.

What would a Canadian Apartheid Week look like? American Apartheid Week? Mexican Apartheid Week? An Apartheid Week for every nation state in the so-called Americas? Except for Bolivia, of course. After the last Bolivian national election, the new President said that Bolivia would no longer be needing a Department of Indian Affairs because the Indians were now the government.

As an Indigenous person, I ask myself if there is some level of hypocrisy going on in Canada if progressives demonstrate against Israeli state actions while continuing to enjoy the benefits of living in an entire hemisphere of apartheid, at home on native lands. Why not do both at once? And while we’re at it, why not join in with an international movement to guarantee the right to life for Jewish folk no matter where they are located?

Before the Empire, under Britain’s fading leadership at that time, declared an Israeli state in 1948, Jewish Palestinians and Arab Palestinians were living comfortably side by side. That peaceful co-existence can be traced back a long ways. As a member of Turtle Island’s Indigenous Peoples, the year 1492 stands out for me, as an important date in history. It’s an important date in Jewish and Muslim history, too: the year that Sephardic Jews and Muslim Moors were expelled from Spain. Where did the majority of Sephardic Jews flee to? The Arab Muslim Ottoman Empire, where Sephardic Jews were valued and appreciated for their skills, particularly in areas of scholarship. It was a reciprocal relationship, with Jews also introducing into Western Christian societies important Arabic knowledge in maths and other sciences.

Sad to say, but Empire has other needs. Now under US leadership, the Empire needs the Israeli state to continue relentlessly on the warpath it started down in 1948, a war of extermination against Arab Palestinians located within the region coveted by Eretz Israel. Eretz Israel is the land promised by the Hebrew Bible’s God to Abraham and his descendants through Issac and Abraham’s grandson, Jacob. This arrangement suits the Empire’s needs quite nicely, namely as a highly developed forward base for Empire’s ambitions in the Middle East. I’ll describe apartheid’s economic functions in more detail shortly, but for now suffice to say that, as long as the Israeli state follows the same exact methods practiced in Canada, the United States of America, Mexico, etc., etc., on down to and past (but now having to avoid Bolivia) then it will all work out... for the Empire.

This calculation leaves out the question of blowback against Jews, no matter were they are located. A thousand years of pogroms resulting from elites setting up Jews to be the fall guys should be enough of a history lesson, but consider the fate of Israeli Jews when Empire loses it’s regional grip. Add in Empire’s weakening of secularism within Arab states and Empire’s strengthening of fundamentalist beliefs, whether Christian, Islamic, Hindi, or Judaic, all united by the common belief that their own God has asked them to kill members of all of the others, and it looks like a sure recipe for disaster. Why would an intelligent Israeli Jew want to travel even one step further down that path?

Is anyone else confused about why the three major world religions that claim to descend from Abraham, namely, Christianity, Judaism, and Islam, all seem so intent on remaining bitter enemies, in action repudiating their own philosophies of brotherly love?

The question at hand, however, is a discussion about an international Israeli Apartheid Week. In all fairness to Israel, Zionist war mongers would have to kill hundreds of millions of Arabs, and occupy 16,430,000 square miles of Arab territory, in order to achieve parity with the apartheid system calmly proceeding, apparently unnoticed, on Turtle Island, in Canada, the US, Mexico, and so on.

An area that size would have to include all of the Middle East, plus considerable amounts of South and East Asia. A territorial expansion of that magnitude is certainly in Empire’s "New American Century" playbook, but clearly not in the cards for Israel. For an accurate comparison between Israeli Apartheid and Americas Apartheid, one must look at the historical record to make stage by stage comparisons.

Avigdor Lieberman’s call for the administration of a loyalty oath to Arab Israelis needs to be compared to the nation state of Canada’s Province of British Columbia, where new legislation is currently under consideration to legally recognize Indigenous Peoples within the boundaries of the province as human beings. Lieberman is ahead of the Province of British Columbia in that he already recognizes Arab Israelis as human beings, viciously prejudiced as his judgement may otherwise be. In BC, I’ll have to wait with bated breath, as the business community battles the Recognition and Reconciliation Act proposals, to discover whether I will become a legal person in the eyes of the law. Since Governor James Douglas' 1858 legal declaration that the lands in the new Crown Colony of British Columbia were unoccupied, Indigenous Peoples within that territory have been non-persons, especially in relation to any type of property rights, Indigenous or Canadian, a declaration still in effect at the time of this writing.

Taken in total, I’d like to suggest that Palestinian Arabs, Jews of the world no matter where located, and Indigenous Peoples of Turtle Island have common cause: surviving genocidal onslaughts. Cynical power players within Arab, Jewish, and Indigenous populations can be seen siding with Empire, no doubt prompted by a misguided sense of Darwinian notions about survival of the fittest. This individualist perspective leaves out long-term analysis, especially an analysis of long-term non-human global reactions. For instance: general environmental destruction, to name just one.

We humans have the mental, physical, emotional and spiritual capacity to turn course, change direction. The recent presidential election in the United States was a collective expression of exactly that desire, immediately subordinated to the needs of Empire. As a not-yet-recognized-as-human denizen of Canada’s Rez Zone, BC division, I’d like to humbly suggest that the solution to the apartheid problem could be more quickly advanced by a solidarity movement involving Indigenous folk, Jewish folk, and Arab Palestinian folk, against Empire in general, and apartheid states in particular.

Canada’s Indian Act and Indian Policy is the acceptable role model for Israel’s apartheid policy, and for South Africa’s apartheid policy of yesteryear. Canada’s Gaza Strip and West Bank were happening in the 1800s: mass slaughters in various colonial frontier encounters, like the Chilcoot War; forced starvation, for instance the sealing off of western prairie reserves as collective punishment after the North-West Rebellion, where up to 50 per cent of reserve populations perished; and the systematic destruction of Indigenous economic, political and social structures that was and still is Canada’s Indian Act.

When I was a child there was a large “NO TRESPASSING” sign, in English, a hundred yards from my house at the edge of Saddle Lake Indian Reserve # 125, obviously meant for Canadians to obey. Centuries of forced separation still play out in the daily lives of Cree folk and Canadian settler descendants; in small towns like St Paul, Alberta, the apartheid is so palpable you can cut it with a knife, and folks on both sides of the now-invisible barriers regularly do.

However, in spite of five hundred years of living this experience, I’d like to suggest that our common cause is much more significant than our presumed differences. This is true for any of the so-called areas of conflict in the post-modern world, where folks tend to focus on gender/sexual orientation, or race, or class, or ecology or authority. From an Indigenous perspective these are all parts of the elephant being described by blind persons as they each touch the portion closest to them. Apartheid systems are just one facet of the global control system I’ve been calling Empire.

As promised earlier, I’ll return to a brief examination of the economic function of apartheid. Apartheid serves as a necessary firewall between human beings belonging by birth to differentiated groups. Differentiated groups are brought into close physical proximity by colonial expansion, which I’ll call imperialism. Imperialism solves some of the inherent contradictions in capitalism, by expanding capital supply through primitive accumulation (expropriation of lands and resources), expansion of non-home markets, safety valve outlets for burgeoning unwanted home population, sources of lower cost labour power, and, in more advanced cases, through the creative destruction of productive property, thereby allowing a new cycle of production to begin by generally reducing previous over-productive capacities.

One problem encountered in the settlement stage of colonial expansion is that humans have the tendency to ignore the artificially imposed differentiations, and spontaneously re-group. Some sort of apartheid policy is necessary to prevent the potentially “destructive” co-mingling of plain human beings. Theories of race were invented to specifically re-enforce this artificial separation.

In Canada, apartheid is still an important social dam holding back a generalized reaction against the ongoing systematic de-humanization that I and all Indigenous Peoples inside of Canada are daily subjected to. The BC Chamber of Commerce is very concerned about the proposed new Recognition and Reconciliation Act because it threatens this apartheid relationship which allows smooth functioning of traditional colonial accumulation through dispossession. Timber. Minerals. Real Estate. Water.

At a moment in human history when the obvious contradictions of capitalism, imperialism, sexism, and ecological destruction are glaringly in-the-face of the human public, amplified by the as yet unrestricted access to information provided by communications technology, a unified pro-life choice movement may be timely.

Without the needs of Empire to sustain, there would be no need for the accumulation by dispossession facilitated by apartheid systems. Scarcity, like race, is an artificially constructed ideology that serves the purpose of Empire. Overcoming the ideology of scarcity is the next major collective undertaking facing humanity. If Jewish Peoples, Arabic Peoples, and Indigenous Peoples of Turtle Island were to unite in an anti-scarcity campaign, properly called a pro-plenty for all campaign if we remember to share, then we would see real, sudden, and dramatic change; the kind of change folks in the US thought they were voting for, the possibility of such a change that folks around the world celebrated ecstatically, on the evening of November 4th, 2008.

I realize that it’s a bit more complicated than that, and I’ll return to economic issues later, but for now I’ve had my say about apartheid. What do you think?

Gifted with a white privilege suit on his Birth Day, Steinhauer has been slipping back and forth across the invisible boundary between Turtle Island and Canada, since 1952, in his lovely birthday suit. And this is what he saw.

Steinhauer I

Steinhauer III

Jews for Palestine

Stuart Neatby — Sun, 01 Jun 2008 02:21:11 +0000

Remembering the Nakbah

On May 15, the State of Israel turned 60. Celebrations around the world were held to mark Israel's Day of Independence. Remarked also for different reasons, this day has made a global impact under its other title, "the Catastrophe," or Al Nakbah in Arabic. It is mourned as a day that commemorates the ethnic cleansing of Palestine, as a result of which Israel is today a Jewish majority state.

Resistance to these celebrations has also taken place across North America under a campaign entitled “No Time To Celebrate: Jews Remember the Nakbah.” This activism demonstrates a growing Jewish presence within the movement to oppose Israeli policies, the military occupation of the West Bank and Gaza, and the ongoing oppression of Palestinians. In Canada, this presence was strongly felt on March 29 when over a hundred representatives of various organizations joined at the Alliance of Concerned Jewish Canadian's (ACJC) conference. The aim of the conference was to create an effective and justice-oriented strategy for future collaboration of jews critical of Israel's policies.

A jewish stance in solidarity with Palestinians is particularly significant, given recent remarks by Prime Minister Stephen Harper. Reminding the world of the Holocaust, Harper announced that Israel was "threatened by those groups and regimes who deny to this day its right to exist." Despite Israel’s refusal to acknowledge a Palestinian state, in deed if not in word, Harper further emphasized his alliance with the State of Israel by calling it "one of the most successful countries on earth... Israel truly is the ‘miracle in the desert.’”

"The source of Israel's strength and success,” continued Harper, “is its commitment to the universal values of all civilized peoples: freedom, democracy, human rights and the rule of law." Post-Holocaust Jewish settlers in Israel, according to the Prime Minister, have "led the world back to the light."

Such flamboyant support stands in stark contrast to Canada's historical record of siding with the majority of the world, whose national representatives have consistently voted at the UN General Assembly for an end to Israel's occupation of the West Bank and Gaza.

During a teach-in held in Ottawa days before the anniversary of the Nakbah, Diana Ralph, Coordinator of the ACJC conference, reduced much of Harper's statements to little more than myths. Ralph broke down the logic in Harper’s speech, which proposed that all criticism of Israel was equated with anti-Semitism, that Israel was the only democracy in the Middle East, and that Arab and Jewish people hate each other.

“If this is a beacon of light onto nations,” said Ralph, referring to Harper’s position on Israel's settlers, “I think we need to turn out the lights."

Ralph's support for human rights in the Middle East went hand in hand with the outcome of the historic ACJC conference. The ACJC body has made a remarkable move in declaring its support for "a properly negotiated peace between the Israeli and Palestinian people" and opposing "any attempt by the Israeli government to impose its own solutions on the Palestinians."

The organization further recognizes the world's repeated calls for Israel to respect international law, particularly the 2004 International Court of Justice's ruling on post-1967 affairs in the region. The ICJ ruled that the so-called “Annexation Wall,” as well as the West Bank settlements, were illegal and demanded Israel pay reparation for "all damage caused by the construction of the wall in the Occupied Palestinian Territories, includ[ing] in and around East Jerusalem."

Such international decisions have been amplified worldwide by opposition to the celebrations of Israel's 60th anniversary. In San Francisco, 20 Jewish activists were arrested while protesting their local community centre's celebrations of Israel@60. In New York, Boston, Philadelphia, Toronto, and dozens of other cities across the continent, organizers put together street theatre shows, die-ins, educational and media events, mournful vigils, and peaceful disruptions, all in solidarity with Palestine.

In Canada’s capital, Not In Our Name (NION): Jews Against Israel's Wars, which represents pro-justice Jewish voices in the Ottawa community, has linked with many others to form what has become the Ottawa Palestine Solidarity Network (OPSN). On May 8, over 70 community members and activists joined to mourn outside the Ottawa Civic Centre where the local Israel@60 celebration took place. Continuing their visible support for understanding the real history of Israel/Palestine, OPSN held a teach-in on May 18 that posed the question of whether the 60th anniversary of the State's inception was indeed something to celebrate.

Samah Sabawi, a Palestinian refugee, presented the history and fallout of the 1948 Nakbah. She spoke of the 500 villages that were destroyed in the lead-up and in the midst of the 1948 War of Independence, a war that displaced 750,000 refugees. Today, the West Bank hosts over 500 checkpoints; the Israeli State controls all Palestinian access to water, land, and employment; and an “Annexation Wall” now segregates communities from each other. In places such as Qualqilia the wall completely surrounds entire villages, while the checkpoints reinforce a segregation system. Israeli-only settlements are interspersed in the West Bank among Palestinian farms, connected to one another and Israel-proper by Israeli-only roads which are heavily protected by walls, fences, and armed soldiers. Effectively, Sabawi explained, the Nakbah Catastrophe has never ended.

Ralph followed Sabawi's short history with a talk entitled "Which Side Are You On?" which emphasized the importance for Jews to stand for justice in Palestine. Ralph’s message was further amplified by Rabbi Dovid Feldman, who drew from the Old Testament to argue that traditional Judaism rejects the idea of Zionism. The philosophy of zionism, to which the creation of the State of Israel has been attributed has, according to Feldman, been countered by Jewish leaders since its very inception at the end of the 19th century. Rejecting the celebrations of Israeli Statehood, Feldman stated, "Every Israeli Independence Day, we have a day of fasting. It is a day of mourning."

Concluding the teach-in, Mazen Masri, a member of the Coalition Against Israeli Apartheid and a PhD candidate at York University, spoke about the Boycott, Divestment, and Sanctions (BDS) campaign.

Arising from Palestinian civil society, the BDS campaign began in the summer of 2005. The campaign calls for tactics similar to those which contributed to the official end of South African apartheid to be applied to Israel. The BDS campaign calls for the boycott of Israeli businesses by individuals, the divestment of international corporations from the Israeli economy, and the enforcement of sanctions by governments against the State of Israel until its apartheid policies end.

Days later, on May 20, a fundraiser held at the National Arts Centre (NAC) was sponsored by the Jewish National Fund and hosted by Israeli Ambassador to Canada Alan Baker, who was also the guest of honour. Baker has been under strict in recent weeks after making remarks that have been called discriminatory and racist against Muslim and Arab people. Baker argued that Canada should limit immigration of Muslim people on that grounds that they may alter Canadian demographics as well as Canada's overt support for Israel. In response, almost a hundred protestors crowded the doors of the NAC, including over twenty Haredi religious Jews as well as dozens of Israelis, secular Jews, Palestinians, and other supporters. A mock check-point was constructed and activists, dressed as soldiers, with the inscription "Israel Offense Forces" attached to their uniforms, controlled access to the entrance. Organizers billed this as a mild demonstration of the daily humiliation and delay to which Palestinians are subjugated.

In Toronto, on Sunday May 25, the UJA Federation’s annual ‘Walk with Israel’ was held. Advertised as a fundraiser for “programs for children and youth in Israel with a specific focus on those in Sderot and the Western Negev,” the event drew thousands of participants as well as approximately three dozen protesters. Holding a silent vigil on the outskirts of the Walk, the protestors were met with discriminatory remarks such as “go back to Jordan.” Some parents even stopped to demonstrate to their children that the men and women who were dressed in black to commemorate the Nakbah, were forever Israel’s enemy.

“I would kill another 800,000 of you!” one man yelled, referring to the 1948 ethnic cleansing.

In Israel/Palestine, 21,915 black balloons were released over Jerusalem to represent the number of days since the beginning of the Nakbah. Spearheaded by the Badil Resource Centre in Ramallah, the idea was part of an international campaign called "Justice is the Key to Tomorrow." The organization's website explains the reasons for which thousands worldwide have mobilized in solidarity with the people of Palestine.

"How can you celebrate?" the site asks. "The establishment of the State of Israel sixty years ago was a settler-colonial project that systematically and violently uprooted more than 750 thousand Palestinian Arabs from their lands and homes... These celebrations, by definition, insult our history, violate our rights, and deepen our oppression. They also render the path to justice, freedom, equality, and sustainable peace based on international law longer than ever before."

Rabbis for Palestine

NION

Artists Against Apartheid.

Stefan Christoff — Wed, 31 Oct 2007 07:04:33 +0000

449809611_70ed1ca839.jpg

Part of the 5th international week of action against the apartheid wall, initiated by the Palestinian Grassroots Anti-Apartheid Wall Campaign, to oppose Israeli occupation and ethnic cleansing and to support the movement for boycott, divestment and sanctions.

Leading up to ‘Palestinian Perspectives’, an evening of film screenings at the Cinéma du Parc in Montreal on November 29th, to commemorate 60 years of occupation and to celebrate the Palestinian voice. Featuring cutting edge cultural projects from Montreal & internationally, uniting in expression against Israeli Apartheid.

Performances by:

* Lubo Alexandrov: A Bulgarian-born guitarist, composer and singer, Alexandrov has developed a unique musical style, merging Bulgarian, Turkish and Roma musical traditions. Recipient of the 2007 Juno Music Award for the ‘Best World Album’. http://www.luboalexandrov.com

* Valerie Khayat: Poet, singer songwriter, Khayat has been active in folk, poetry and spoken word circles since 2004. She released her first book of poetry, ”The Road to Vesper”, and her first full length album, ”Resonance in Blue”, in 2007. http://www.myspace.com/valeriekhayat

* Kalmunity Vibe Collective members:

Jason Selman: Performance poet & musician
Mohamed Mehdi: Singer songwriter, poet.
Phenix: Hip-hop artist, poet of the Haitian diaspora.

* Ehab Lotayef: Writer, photographer, poet, activist and engineer.

* DJ Kandis: Middle Eastern, international beats, music from DJ Kandis.

Screening two films from the ‘Beyond Blue & Gray’ documentary project of Eyes Infinite Films, with an introduction by series producer Nirah Shirazipour: