Moira Peters talks to artist Marlon Garcia Arriaga about his paintings and the women of Panzós, Guatemala that inspire them.
Max Liboiron speaks to photographer John Haney about the process of art. Slow down and take a second look.
At Vancouver's International Burlesque Festival Jane Henderson and Edie Jackson find both progressive politics and old-fashioned desire.
Thousands sing for revolution at the School of The Americas Protest in Fort Benning, Georgia. Carole Ferrari joins the chorus.
Max Liboiron looks at the issues raised by creative currency of Artist's Trading Cards.
David Sanderson reviews Banking On Heaven, a film on "Arizona's dirty little secret."
Why aren't Canadian media paying any attention to international bollywood blockbuster The Rising? Rajiv Rawat explains.
In this interview, director Mahmoud Kaabour talks about how 9/11 affected tolerance, the making of "Being Osama", and why he left Canada.
Jennifer Chrumka peeks at random artifacts from the personal lives of anonymous strangers in Found Magazine.
In the wake of the first wave of graphic novels, Jane Henderson looks at some recent, disparate Canadian works.
Max Liboiron looks at the Department of Behavioural Investigation's anti-copyright art movement.
Thanks to overzealous insurance agencies, skateboarders have been driven to the margins of cities. Dru Oja Jay looks at some proposed alternatives.
Are you really in love? Does your best friend really hate you? Are you an annoying person? There is now a new quiz on the market to help with an even more important question: What gender are you, really? Kate Bornstein's My Gender Workbook uses the artistically neglected literary form of the women's magazine quiz to address the realities of gender politics. Since the demographic that magazine quizzes usually address is overwhelmingly female, and a fairly specific spin on female at that, Bornstein's quiz creates a tension within women-focused "literature".
Mix the Beatles' The White Album with rapper Jay-Z's Black Album and what do you get? DJ Danger Mouse's experimental CD, The Grey Album. You also get a cease-and-desist order from EMI Music. Tracks from the 3000 now-illegal copies of this CD have spawned countless downloads and are just one of hundreds of examples in the current debate over what is art and what is piracy.
When I talk to my new friend Tom, we're not just talking-- we're metatalking. When I ask him how he's enjoying the weather, he tells me he is not enjoying it at all because it has too many future tenses. "Will it rain?" he asks me. Then answers himself, "In the afternoon it may begin to rain." "It will soon be raining."
Geoff Berner has played in a punk band. Geoff Berner has written for Sesame Street. Geoff Berner plays the accordion and prefers to drink scotch out of a wine glass. The canuck's latest release, We Shall Not Flag or Fail, We Shall Go on to the End, has quickly gotten the attention of campus radio stations across North America and Europe. The record features his trademark stew of diverse and previously incompatible styles.
In Ali Kazimi's 1997 documentary Shooting Indians, a whole sequence of studying is going on. Kazimi studies Iroquois photographer Jeff Thomas, who is mining the century-old works of white photographer and filmmaker Edward Curtis. The three are transformed.
Webster's Dictionary credits literature as the traditional medium to use "trenchant wit, irony, or sarcasm to expose and discredit vice or folly." Yet in today's multimedia world, satire has entered the mainstream via theatre, television, music, newspaper cartoons, radio, and the internet. Satire is an important tool for those frustrated by the corporate, sponsorship, and political agendas mixed up in their media.
Myth, Propaganda and Disaster in Nazi Germany and Contemporary America: A Drama in 30 Scenes made headlines because each of the major theatres in Sydney failed to pick it up for 2004, even though it completed successful runs at both The Playbox Theatre in Melbourne and The State Theatre Company in Adelaide.
Deafening brings disability to the centre of mainstream fictionI always get suspicious when in coffee shops, on buses, trains, and coffee tables, or peering out of purses, I see the same book. It seems that everyone except me is part of the same book club, and they've all picked up the assigned reading for the month. Not too long ago, this novel was The Life of Pi, and the ubiquity of this brightly coloured, incessantly discussed novel made me want to avoid it, for the sole reason that nobody else seemed to.
American Visual Artists and Bush's WarThe Dominion is a monthly paper published by an incipient network of independent journalists in Canada. It aims to provide accurate, critical coverage that is accountable to its readers and the subjects it tackles. Taking its name from Canada's official status as both a colony and a colonial force, the Dominion examines politics, culture and daily life with a view to understanding the exercise of power.